I finally left Los Angeles to return to San Francisco. I made my last movie, another homage to the singer songwriter, based on the work of Rickie Lee Jones, and then I devoted myself entirely to interactive media. My mother turned 70, and I wanted to be with her in the last years of her life, however many she had. I judged San Francisco to better understand what was variously being called “interactive multimedia,” “new media.” I worked with a startup that made five hour interactive movies and delivered them, networked, to the desktop as part of another rich, multimedia database. The product was directed at Fortune 500 companies for training, not my usual field of endeavor, but I still had an abiding interest in seeing if there was a way to build a new semantic that might help with the dismemberment of print, and this was a real-world way to do that. AN AMERICAN STORY
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